Review: ‘Belgrad Radio Taxi’
byAleksandra Koluvija reviews the 2010 Serbian film, Belgrad Radio Taxi, and explains why it captures the spirit of the city so perfectly. Directed by Srdjan…
Reviews
The Ugly Truth About ‘The Great Beauty’
byThe identification and the self-recognition of the audience with the main character of a drama is a process described, established and accepted since Aristotle….
‘F For Fake’: Confessions Of A Self-Described Charlatan
byReality? It is the toothbrush waiting at home for you in its glass, a bus ticket, a paycheck and the grave,” says Orson Welles…
Review: ‘Closed Sea’
byAleksandra Koluvija reflects on the thought-provoking documentary Closed Sea, a topic particularly close to her heart due to her past as a legal advisor…
‘True Detective’s’ Slow-Burn Storytelling Will Change The Way You Watch Television
byIs there a solid enough reason for fans of the first season to hold off on watching the second until its conclusion, and then…
Review: ‘Her’
byIn his first film since 2009’s Where The Wild Things Are, Spike Jonze ventures into new territory with the rom-com for the Apple age,…
Review: ‘Love Steaks’
byLove Steaks is Jakob Lass’s second feature film, telling a frank and funny story of opposites attracting in an unassuming setting. It is screening…
Review: ‘Nebraska’
byRehan Mudannayake reviews Oscar winner Alexander Payne’s return to cinema Nebraska, the story of an eccentric old man’s cross-country road trip to claim supposed lottery winnings. Directed by…
Reviews: ‘The Grand Budapest Hotel’
byA look at Wes Anderson’s latest picture: an elaborate caper centred on a magnificent hotel and filmed entirely on location in Germany. Directed…