Berlinale 2019 Review: Der Goldene Handschuh
by“Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into…
“Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into…
For his third feature, Dan Gilroy ventures into the world of commercial contemporary art, this time sans a zeroed in character study. Instead he’s…
When Dogtooth came out in 2009, it quietly discomfited most viewers. A combination of uncomfortable circumstances and bizarre sexual situations in a closed space…
From the hands of South Korean director Lee Chang-dong comes a gripping meditation on big-city loneliness, the legacy of helpless rage and the elusiveness of mankind….
I really wanted to embrace this story of two outcasts in Nairobi. Judging by the hype and controversy around it – banned, screened for a…
Sam Levinson’s second feature, the difficult-to-say-five-times-fast Assassination Nation, is an exhilarating and uncompromising commentary on a generation that has become desensitized. Odessa Young, the film’s star,…
Ricky D’Ambrose’s riddling feature Notes on an Appearance is possibly a detective story about a young man’s disappearance in New York, or a series…
The place is the Soviet War Memorial in Berlin’s Treptower Park. The day is May 9, 2017, the 72nd anniversary of the Red Army’s…
Hell is an eternal waiting room: so goes the basis of the parable that underlies German auteur Christan Petzold’s new remarkable film Transit. Based…