Berlinale 2019 Review: Öndög
by“The technological advancement that mankind is so proud of has distorted us to some extent. Living in giant civilized cities makes it easy for…
“The technological advancement that mankind is so proud of has distorted us to some extent. Living in giant civilized cities makes it easy for…
Camp is a certain mode of aestheticism. It is one way of seeing the world as an aesthetic phenomenon. That way, the way of…
It’s that time of year again when filmmakers, distributors, programmers and press from around the world descend upon our fair city for the Berlinale…
Ahh yes, it’s that time of year again where we grab a trusty notepad and pen and begin the long list of illegible, over-excited scribbles…
Lantouri continues where Dormishian’s second feature (I’m Not Angry!) left off, with the same two actors – Baran Kosari and Navid Mohammadzadeh – delivering…
Händl Klaus’ (whose real name is in fact – Klaus Händl) second feature film about the sudden rupture of the peaceful, quaint life and…
As Berlin hosts the 2016 Berlin International Film Festival, now in its 66th year, Potsdamer Platz will be welcoming its annual influx of photographers,…
Running as a documentary film at the interfilm short film festival, VOOR FILM (Netherlands, 2015) directed by Douwe Dijkstra, reveals the organic fusion of…
With the likes of Werner Herzog and Errol Morris proclaiming The Look of Silence as ‘One of the greatest and most powerful documentaries ever…