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Anton Dechand

Anton Dechand

Berlin-based writer of short fiction, essays and reviews. Equally indebted to Roger Ebert, David Foster Wallace, Rilke and Tool. I think stories is what we live for.

AW14F 2018, Berlin, Festivals, Reviews

AW14F 2018 Review: Burning

From the hands of South Korean director Lee Chang-dong comes a gripping meditation on big-city loneliness, the legacy of helpless rage and the elusiveness of mankind….

AW14F 2018, Berlin, Festivals, Reviews

AW14F 2018 Review: Rafiki

I really wanted to embrace this story of two outcasts in Nairobi. Judging by the hype and controversy around it – banned, screened for a…

Featured Posts, Features

From Menace to Fetish: Seven Movies about Cars

Cars in cinema are more than just props or vehicles that enable a character to get from A to B. They can be used to…

Berlinale 2017, Reviews

Berlinale 2017 Review: ‘Discreet’ by Travis Mathews

Bacon in a pan. A wall with colorful wallpaper and a close-up of a Japanese woman, covering her hands with her ears. A man…

Berlinale 2017, Reviews

Berlinale 2017 Review: ‘Tiere’ by Greg Zglinski

It’s a striking personal resumé: four of the movies I’ve watched at this year’s 67th Berlinale feature shots of highway tracks while someone escapes…

Reviews

‘Moonlight’ Review: A Story Rarely Told, But Desperately Needed

They say hope comes in many forms. One of them is the arrival of Moonlight, a cinematic masterpiece, in the year of the Orlando…

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TRAILER OF THE WEEK

JUDAS AND THE BLACK MESSIAH - Shaka King

BERLIN FILM SOCIETY

ERIKA LUST'S XCONFESSIONS IN L.A.

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