Berlinale 2017 Review: ‘Insyriated’ by Philippe Van Leeuw
Considering the fact that the Berlinale claims to be a political festival, it seems illogical that Insyriated didn’t make it into this years competition…
Berlinale 2017 Review: ‘El bar’ by Álex de la Iglesia
Homo homini lupus - man is a wolf unto man. In times of terror and constant fear in this incresingly postmodern world, basic instincts…
Berlinale 2017 Review: ‘Mr. Long’ by Sabu
Some people might be slightly irritated if, before breakfast, they were to watch a movie in which more than twenty people are massacred in the first…
Berlinale 2017 Review: ‘Call Me by Your Name’ by Luca Guadagnino
There are those rare films that suddenly make a very cold Berlinale day feel warm by adding a different colour to life, like a…
Berlinale 2017 Review: ‘For Ahkeem’ by Jeremy S. Levine & Landon Van Soest
With the new Glashütte Documentary Award in the Forum category, this years Berlinale has many political documentaries to back up the claim that it remains…
Berlinale 2017 Review: ‘Golden Exits’ by Alex Ross Perry
Two years ago Alex Ross Perry showed Queen of Earth at the Berlinale and this year he’s back with his new film Golden Exits (showing in…