Berlinale 2017 Review: ‘Autumn Autumn’ by Jang Woo-jin
byOur life stories are positioned in a weave, not a line. Diverging from a tradition insisting that our lives are most comprehensible if plotted…
Reviews
Berlinale 2017 Review: ‘Call Me by Your Name’ by Luca Guadagnino
byThere are those rare films that suddenly make a very cold Berlinale day feel warm by adding a different colour to life, like a…
Berlinale 2017 Review: ‘House in the Fields’ By Tala Hadid
byStructured around the seasons of the year in a remote village in the high Atlas Mountain Valley in Morocco, Hadid captures the delicate and…
Berlinale 2017 Review: ‘For Ahkeem’ by Jeremy S. Levine & Landon Van Soest
byWith the new Glashütte Documentary Award in the Forum category, this years Berlinale has many political documentaries to back up the claim that it remains…
Berlinale 2017 Review: ‘Golden Exits’ by Alex Ross Perry
byTwo years ago Alex Ross Perry showed Queen of Earth at the Berlinale and this year he’s back with his new film Golden Exits (showing in…
Review: ‘Mr. Rodolfo’s Jubilee,’ A World Premiere
byMr. Rodolfo’s Jubilee - The Premiere: Until artists achieve celebrity, many people question their talent, sanity, and most often, their choice of occupation. Indie…
‘Moonlight’ Review: A Story Rarely Told, But Desperately Needed
byThey say hope comes in many forms. One of them is the arrival of Moonlight, a cinematic masterpiece, in the year of the Orlando…
‘VOOR FILM’: Art Teaches Itself
byRunning as a documentary film at the interfilm short film festival, VOOR FILM (Netherlands, 2015) directed by Douwe Dijkstra, reveals the organic fusion of…
‘Mon Roi’ – The Fine Print Of A Love Supreme
byA done-to-death story of codependent love, where she mistakes his manic highs for everlasting charm and in her search for solid ground locks herself…