Berlinale 2017 Review: ‘Mr. Long’ by Sabu
bySome people might be slightly irritated if, before breakfast, they were to watch a movie in which more than twenty people are massacred in the first…
Festivals
Berlinale 2017 Review: ‘Autumn Autumn’ by Jang Woo-jin
byOur life stories are positioned in a weave, not a line. Diverging from a tradition insisting that our lives are most comprehensible if plotted…
Berlinale 2017 Review: ‘Beuys’ by Andres Veiel
byThis film is about the artist of the 20th century, Joseph Beuys. Never heard of him? Most Germans, regardless of their level of education or…
Berlinale 2017 Review: ‘Call Me by Your Name’ by Luca Guadagnino
byThere are those rare films that suddenly make a very cold Berlinale day feel warm by adding a different colour to life, like a…
Berlinale 2017 Review: ‘House in the Fields’ By Tala Hadid
byStructured around the seasons of the year in a remote village in the high Atlas Mountain Valley in Morocco, Hadid captures the delicate and…
Berlinale 2017 Review: ‘For Ahkeem’ by Jeremy S. Levine & Landon Van Soest
byWith the new Glashütte Documentary Award in the Forum category, this years Berlinale has many political documentaries to back up the claim that it remains…
Berlinale 2017 Review: ‘Golden Exits’ by Alex Ross Perry
byTwo years ago Alex Ross Perry showed Queen of Earth at the Berlinale and this year he’s back with his new film Golden Exits (showing in…
Berlinale 2017: Top 5 Films To Watch
byAs the city of Berlin bursts with an influx of filmmakers, film lovers and gold and silver bears, we’re busy devouring the Berlinale 2017…
Berlinale 2017: A Closer Look At The Competition Films So Far
byAhh yes, it’s that time of year again where we grab a trusty notepad and pen and begin the long list of illegible, over-excited scribbles…