Berlinale 2020 Review: The Woman Who Ran
byThe last decade or two have seen South Korean cinema produce international hits such as Park Chan-wook’s ‘Vengeance Trilogy’ and The Handmaiden, Lee Chang-dong’s…
Berlin
Berlinale 2020 Review: Never Rarely Sometimes Always
byThe best movie of this year’s competition is not as showy as Siberia, not as experimental as DAU.Natasha, not as mythical as Undine. It’s…
Berlinale 2020 Review: Berlin Alexanderplatz
byAnyone that’s spent time in Berlin knows them: young African men roaming the big parks in Kreuzberg and Neukölln, jobless, often undocumented, forced to…
Berlin Film Society Presents: Honey Boy
byBerlin Film Society is excited to present an exclusive theatrical screening of Alma Har’el’s critically acclaimed feature debut and winner of the Dramatic Special…
Berlinale 2020 Review: Mogul Mowgli
byDuring its economical ninety minutes, Mogul Mowgli is certainly ambitious in terms of its thematic reach. Attempting to tackle complex issues such as notions of…
Berlinale 2020 Review: Siberia
byOne of the most fascinating - and without a doubt the strangest - competition entries starts on a conventional note. A spoken word prologue…
Berlinale 2020 Review: The Assistant
byDo you hate your job? After a documentary reckoning with the case of child beauty queen JonBenét Ramsey, Kitty Green returns to the Berlinale…
Berlinale 2020 Review: Los Conductos
byCamilo Restrepo’s film is immersive and intense. It is also subtle, sublime, at times soporific. It’s a challenging watch and so dense that its…
Berlinale 2020 Review: El Prófugo
byA woman is under the influence. First time we see her she is watching a series of close-ups on a movie screen, possibly of…