Berlinale 2020 Review: My Salinger Year
byDear Mr Salinger! We demand answers. How could a person as firmly established in the literary canon as you inspire such a lukewarm movie?…
Berlin
Berlinale 2020: Movies That Should Be On Your Agenda
byA little bit less than a month – and the 70th Berlinale is upon us! This time with a new head – Carlo Chatrian from…
AW14F 2019 Review: Fire Will Come
byOliver Laxe’s third feature film Fire Will Come premiered earlier this year in Cannes’ Un Certain Regard section and went home with the Jury Prize….
Interview With Elinor Lewy and Sara Neidorf: Founders of Final Girls Berlin Film Festival
byFounded in 2017, Final Girls Berlin Film Festival celebrates and showcases films directed, written, or produced by womxn. Each event is a safe haven for horror…
An Interview With Director Astrid Menzel
byThe Berlin-Bremen filmmaker Astrid Menzel sat down with me so I could ask her some questions about her award-winning short film and her way…
Berlinale 2019 Review: Öndög
by“The technological advancement that mankind is so proud of has distorted us to some extent. Living in giant civilized cities makes it easy for…
Berlinale 2019 Review: Elisa & Marcela
byCamp is a certain mode of aestheticism. It is one way of seeing the world as an aesthetic phenomenon. That way, the way of…
Berlinale 2019 Review: Flatland
by“Do you hope you can expiate the crimes of the past by suffering in the present?” ― J.M. Coetzee, Disgrace The opening film in the…
Berlinale 2019 Review: Vice
by“In a time of universal deceit – telling the truth is a revolutionary act.” — George Orwell What is the truth? Does it even…