All Of Them Witches: Carnival Of Souls
by“The world is so different in the daylight. In the dark, your fantasies get so out of hand. But in the daylight everything falls…
Features
Bonded by Blood: Let The Right One In
byWhat makes Let The Right One In so special is that it stands alone from its peers in the horror genre. It is a Swedish…
The Movies That Made Me: An Interview with Stelahr
byBarefoot on stage, black silk, white-bleached hair: this is Stelahr. Born in London, raised in Berlin, Stella Franke was nurtured in an environment surrounded…
Thank You For The Music: Phantom Of The Paradise
byPhantom of the Paradise is a musical horror film about the lexicon devil that is the music industry and the pain of exerting everything for…
The Language Before Cinema
byWhat really makes a cinematic movement? We all know about collectives of film-makers with a connected conscience, rebellious political motives, and reactionary auteurs united…
Los Angeles Goes to the Movies: Our Top Films
byIt all comes together in Los Angeles: a city impossible to imagine without remembering scenes and images from films, a city simultaneously manufactured and…
Revolutionising Adult Cinema: An Interview With Erika Lust
byErika Lust returns to Berlin on 12th & 14th July 2017 for XCONFESSIONS: OPEN AIR EROTIKA at Sisyphos! Wed 12th July: Facebook Event //…
Linklater Retrospective: ‘Before Sunrise’ Makes Us Ache In All The Right Places
byIf you’ve never heard of Before Sunrise, you might have heard of Richard Linklater. Most recently known for his nine-year love child Boyhood, Before Sunrise is…
‘Toni Erdmann’ Review: An Exercise In Holding Onto A Fleeting Moment
byThrough what portal do we enter a film? Unlike Orson Welles’ famously complex crane shot at the beginning of Touch of Evil or Wim…